Actor Clement Fowler died on August 16 at the age of 84.  The death notice in the New York Times refers to Fowler as a “working actor.”  That’s a frank expression, one I often see applied to actors who manage (barely) to earn a full-time living from their craft, but never receive much recognition from the public. 

To be even more frank, Fowler possessed the face of a character actor – long, narrow, with a small chin and suspicious little eyes – and in his recorded performances he created a gallery of hustlers, gangsters, and weirdos.  Below, in the tacky suit that seems a rather desperate cry for attention from the costume department, Fowler plays a bookie on Route 66.

Fowler Route 66

George Maharis, the blacklisted actor David Clarke, Clement Fowler, and Martin Milner in Route 66 (“The Opponent,” 1961)

Born in Detroit in 1924, Fowler was performing in New York by 1950.  His resume of Broadway and off-Broadway roles ran to arm’s length, and included a Rosencrantz to Richard Burton’s Hamlet (a role he reprised in the filmed version of that production) and George in a Hartford staging of Who’s Afraid of Virginia Woolf.  Like Chris Gampel, an actor I wrote about last year who had a similar career, Fowler committed himself to the theatre and to New York; his film and television appearances are a patchy index of shows filmed on location in the east.  Also like Gampel, he began in live television and ended on Law & Order.

Among the dramatic anthologies, Fowler played on Studio One and Robert Montgomery Presents, Danger and Suspense, Omnibus and The Hallmark Hall of Fame.  Fowler’s parts were often small, and surely there are many more from the live era which will remain unrecorded.  Soaps (The Doctors; Loving; The Guiding Light, which survives him by just a month) fill in more of the gaps.  The spate of gritty shows – Decoy, The Defenders, Mr. Broadway – that emerged from the Big Apple in the late fifties and early sixties also gave Fowler, with his rough features, a chance at some larger than usual roles.  On Big Story, he played “The Phantom of the Pennsylvania Turnpike,” and on Naked City he was “The Bumper,” the contract killer who bumped off John McIntyre’s Lieutenant Muldoon in a fiery car chase.  It was one of the earliest occasions in which a television series killed off a regular character, and as such I suppose it is Fowler’s historical claim to fame.

Fowler worked for Scorsese in The Age of Innocence, and played Steve Guttenberg’s father in Diner.  There are uncredited movie roles, too, apparently in Robert Mulligan’s The Pursuit of Happiness and the early television film The Borgia Stick.  He was sometimes billed as Clem Fowler, and at present the standard internet sources split his credits between both names.

 Fowler Naked City

Clement Fowler and Luther Adler in Naked City (“A Memory of Crying,” 1961)

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