A Final Interview With Richard DeRoy

Fulfulling a promise I made a while back, I’ve added my interview with Richard DeRoy to the oral history archive on the main website.  DeRoy, who passed away in March, was a talented freelance television writer for close to forty years.  He should be, but is probably not, best known as one of the primary creative forces behind the TV version of Peyton Place, a huge popular hit of the sixties that has yet to earn the critical respect from historians that it deserves.

As a reader, I think of question-and-answer formatted interviews as easily digested morsels – informal, conversational, and usually without any big, blocky paragraphs.  As an author, I always expect to breeze through them as well.  After all, it’s the interview subject who does all the hard work, right?  In practice, it always takes a great deal longer than I anticipate to edit, annotate, and introduce these oral histories.  The usual delay has made a hash of my plan to upload Richard DeRoy’s interview, as a sort of tribute, right after I learned of his death in early April.

However, I can at least make some amends by pointing out that the piece has become timely again, in that the Sundance Channel will be screening DeRoy’s only significant feature film, Robert Wise’s Two People (1973), twice this month.  It’s playing on Tuesday, July 22 at 12:50AM ET and Monday, July 28 at 4:00AM ET (those are “night before” dates, so technically it’s July 23 & 29).  Because Two People was a financial failure it has been seen very rarely since its initial theatrical release, and I for one am eager to take a look.

A related aside: It’s worth noting that another key Peyton Place contributor, the character actor Henry Beckman, also died recently.  Beckman played the father of Barbara Parkins’s teen tramp Betty Anderson, a disgruntled factory worker who eventually slid into mental illness.  Like the contemporary Lost, Peyton Place was a show that skimped on the budget by mostly casting unknowns, then became a massive ratings success and began to add more expensive and better-known performers to its cast.  This gave Beckman, a supporting player both before and after Peyton, a great deal more screen time than he usually enjoyed.  And although the nature of the role encouraged a certain mastication of scenery, I think Beckman’s George Anderson is a lot of fun to watch.  Beckman, who ended his life in Spain and began his long career in Canada, travelled quite a journey.