The Heideman Legacy

March 8, 2012


When I wrote about Leonard Heideman more than two years ago, the response was anti-climactic.  This was the story of an important television producer with a deadly secret in his past, and a generation of repercussions from that secret, culminating in Heideman’s suicide.  I’d spent three years, off and on, gathering data, watching Heideman-scripted TV episodes, and trying to convince reluctant friends and family members to share their memories of this talented but disturbed individual.  Apart from the initial news accounts of Dolores Heideman’s death, almost none of what I wrote had been reported before.  When I began, and knew little about Leonard Heideman except that he’d killed his wife and written for Murder, She Wrote, I thought about writing up the story as an acerbic only-in-Hollywood anecdote.  Once I dug in, I realized that approach would have been in horribly bad taste, and I became obsessed with getting all the facts right and being fair to all the parties in this tragic tale.

Everyone who read the piece seemed to like it, but I guess I expected more.  Comments from Hollywood veterans who knew or worked with Heideman (or, more likely, “Laurence Heath,” as he was later known).  Some interest from the true crime community, perhaps, or from one of those semi-scuzzy cable magazine shows.  Or, worse, angry reactions from some of the Heideman or Heath family members who declined to be interviewed and opposed my reporting of the story.  In fact, apart from a one-sentence response from one of the sources I did quote in the piece, the only communication I received from the Heideman/Heath family was a recent e-mail from a distant relative and family historian, who confirmed several of the educated guesses that I couldn’t verify during my research.  But when I pressed for more details, the family member never responded.

So for the most part, “Lenny the Knife” – as my research associate and I morbidly took to calling him – remained confined to this little corner of the internet.  Maybe the Los Angeles Times editor who turned down my Murder, He Wrote pitch as “old news” was right.

All of this comes to mind because I noticed an obituary in Thursday’s Los Angeles Times for one of the minor figures in the Heideman saga.  Maxwell Keith, one of the three-man team of high-powered lawyers who succeeded in clearing Heideman, the violent killer of his wife, with an insanity plea, died this week in Templeton, California, at the age of 87.  Keith’s claim to fame was his doomed defense of two Manson acolytes, Leslie Van Houten and Tex Watson.  The Times obit also mentions another famous Los Angeles murder case, that of Dr. R. Bernard Finch – a dentist who conspired with a pretty young mistress to kill his wife – in which Keith and his then partner, Grant Cooper, were the attorneys of record.  The jury put Finch away for twelve years.  Even though it was, locally, a high-profile case (and it would’ve broken Keith’s 0 for 3 record), I guess I’m not surprised that the Times didn’t mention Cooper and Keith’s successful defense of Heideman.

Keith is not quoted in my Heideman history for the simple reason that I couldn’t find him.  Even though an odds-defying percentage of them were still alive when I was researching Heideman, I had terrible luck with the police and the lawyers who worked his case.  Glen Kailey, one of the uniformed officers who arrested Heideman on the night of the killing was still living, but seemed to have fallen off the planet (or more likely into an elder care facility that defied public records searches).  Both of the primary detectives on the case were alive, too, but when I tracked down O. D. de Ryk, the senior investigator, he told me that his former partner suffered from advanced dementia.  As I questioned de Ryk, I sensed that he, too, suffered from memory loss; the few details he could remember about the Heideman matter were questionable.  (Kailey and de Ryk both died in 2010.)

As for the attorneys, Grant Cooper was long dead.  Godfrey Isaac – in his eighties but still a practicing lawyer at the time – declined to be interviewed minutes after receiving my request, and ignored my subsequent e-mails.  (Although in his single curt reply, Isaac did mention a detail that allowed me to identify him amid the pseudonymous figures in Heideman’s memoir.)

As for Maxwell Keith, one reason I failed to track him down is that he was no longer licensed to practice law.  The Times obit politely reports that Keith retired in 1995, but the State Bar of California’s website tells a different story.  In December 1996, Keith resigned “with charges pending”; ten years before that, he had been disciplined by the Bar on another matter.  The Bar association handily keeps track of its active members, but had no contact information for Keith; and all the phone numbers I found and tried led to dead ends.  That was what reporting the Heideman story was like: every tangent seemed to lead down another rabbit hole of secrets and lies.

7 Responses to “The Heideman Legacy”

  1. michael Says:

    When I read your report about the case, I found it interesting, informative, and well researched and written. But beyond that I had nothing to comment about.

    Its a sad story that had only victims. I can understand why friends and family wanted to forget.

    Perhaps there would have been more public interest if Heideman had been a famous name or actor the public could put a face to the crime.

    Don’t let silence in the comments lead you to think you did not reach people with the story.

  2. bobby J. Says:

    Yep, I completely concur with the above. I did leave a comment at the time but don’t always do so unless I can add to the discussion or am asked for opinions/feedback. Some of those that have passed away may have been able to add some details, but the original piece still stands as one the best I’ve read, on the net or in a book.

  3. jerome rattner Says:

    I was very interested in your article I knew him and were from a group of friends living in the Bronx -and he was a brilliant student , and could learn to do any thing .There are just a couple of us still alive .

  4. Edwin Self Says:

    I was Associate Producer on the TV series ” Lancer” and Mr. “Heath” was one of the writers, who was known by our
    Executive Story Consultant, Tony Wilson. I knew of the murder and his book from Tony. I remember Mr. Heideman as a very quiet, gentle man with a very soft handshake. I didn’t realize he had committed suicide until just now.

    • Stephen Bowie Says:

      Very interesting, Edwin, thank you. Lancer is a show that I wish Fox would release on DVD. Also, I had the pleasure of interviewing your father once, around 2005.

      • Edwin Self Says:

        My father was a wonderful man, and I’m happy you got to know him. At least a little bit. My second father, the one who taught me many writing techniques and most of my bad real life habits, was Tony Wilson. One story that sums up Tony as sustain one story can only inadequately accomplish: Tony was once giving me fatherly as I e over cocktails at the valley branch of Til of the Cock.

        Tony, “I once wanted to have an affair, with my best friend’s wife. this raised a great moral dilemma, since he and I had been best friends since we lived back east before moving to Hollywood. what to do? what to do? Then I discovered a great truth.”

        Young Ed, eagerly, “What was that, Tony?”

        Tony, leaning forward for emphasis, “You can always get another best friend.”

      • Stephen Bowie Says:

        That’s very funny. Sad that Wilson died so young. Jack Turley described him as a mentor, too.

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