This Is The Continuing Story….
November 11, 2013
Ever since I discovered it ten years ago, one of the series I’ve most wanted to write about in a definitive way is Peyton Place. Most of the truly canonical television series have been identified, if not universally agreed upon, by now. I think Peyton Place may be the one exception – the sole long-running American show that belongs in the pantheon but has generally been excluded. To my great delight, The A.V. Club has given me the opportunity to make a case for its excellence.
I’ve also written about Peyton Place in a less comprehensive way in a few other places. After you read the A.V. Club piece, you may want to check out (or revisit) my interviews with writer-producer Richard DeRoy and actor Tim O’Connor, my obituary for director Walter Doniger, and my thoughts on James Rosin’s book about the series.
In addition to the four people named in the preceding paragraph, I also want to acknowledge a number of others who spoke to me about Peyton Place over the years: the late Franklin Barton; the late Gerry Day; the late Harold Gast; Lee Grant; Jeffrey Hayden; Patricia Morrow; Ed Nelson; Peggy (Shaw) O’Shea; the late William Self; and Jack Senter. In particular, I’m grateful to the late Del Reisman, who spent many patient hours discussing this and other shows with me over the course of several years, and to Sonya Roberts, an off-the-record friend of long standing who finally and graciously consented to become a source for this piece.
As was the case with Ben Casey, there will be a few sidebars here during the next few weeks to showcase some of the research that didn’t make it into the A.V. Club essay.
(A final postscript: I spent some time trying unsuccessfully to locate the three African American writers who briefly joined Peyton Place‘s writing staff in 1968. Gene Boland, Sam Washington, and Wharton Jones, if you happen to come across this post, I’d love to interview you.)